"Birds of a feather Flock together"
We’re all familiar with the stereotypical image of the lonely and isolated author scribbling away in a cold garret – but after five years as a full-time author, I know that nothing is further from the truth. Writers rarely work successfully in a vacuum. They need other writers – and actively seek them out.
The scaffolding behind a literary work can appear baffling to the non-writer. Authors need each other for support, inspiration and sometimes for collaboration. Only our fellow scribblers truly understand our obsession with plot holes, narrative structure and character development. Writers need to be able to put aside their fear of competition and intellectual theft and reach out to their peers. They need to find the confidence to ask each other for help and find the time and energy to offer mutual support. It’s a foolhardy and ego-centric writer who believes they can create a masterpiece in complete isolation, negotiate the complex world of publishing alone – and retain their sanity.
The scaffolding behind a literary work can appear baffling to the non-writer. Authors need each other for support, inspiration and sometimes for collaboration. Only our fellow scribblers truly understand our obsession with plot holes, narrative structure and character development. Writers need to be able to put aside their fear of competition and intellectual theft and reach out to their peers. They need to find the confidence to ask each other for help and find the time and energy to offer mutual support. It’s a foolhardy and ego-centric writer who believes they can create a masterpiece in complete isolation, negotiate the complex world of publishing alone – and retain their sanity.
Oliver Goldsmith with James Boswell and Samuel Johnson
From Shakespeare to the Bloomsbury group, the history of literature is full of strong and supportive friendships between writers. When Shakespeare's first folio was published, his friend and fellow playwright, Ben Jonson , wrote a glowing introduction to the manuscript. In the eighteenth century, James Boswell, Samuel Johnson and Oliver Goldsmith were great friends and the first two toured Scotland together. A few years later, Lord Byron and the Shelleys were travelling through Europe together when Mary Shelley wrote Frankenstein. Meanwhile, Wordsworth and Coleridge were inspiring each other’s poetry and co-wrote The Lyrical Ballads.
In the mid 19th century, Charlotte Brontë and Elizabeth Gaskell exchanged candid views on literature and publishing and shared artistic and professional concerns. Charlotte also acted as a sounding board for her friend’s literary ideas. Wilkie Collins and Charles Dickens were friends for over twenty years and collaborated on short stories.
In the mid 19th century, Charlotte Brontë and Elizabeth Gaskell exchanged candid views on literature and publishing and shared artistic and professional concerns. Charlotte also acted as a sounding board for her friend’s literary ideas. Wilkie Collins and Charles Dickens were friends for over twenty years and collaborated on short stories.
With friends and fellow- authors at The Theakstones' Crime Festival, Harrogate. Modern writers flock to literary festivals and conferences like migrating birds. Happy to be released from the solitary confinement of their gilded writing cages, they chatter like starlings while they gather information about rogue publishers; audio-book narrators and the latest developments in successful self-publishing. They share their marketing concerns and their fears about the dreaded mid-list. Virtual friendships are consolidated and promises of future collaboration are made. It’s impossible to shut up an excited group of authors who’ve escaped from the office for a day or two. My jaw often aches when I return from the Harrogate Crime Festival.
At the moment, three of my best writing buddies are reading the manuscript of my seventh book. A fourth friend, who owns a horse, has already looked over every scene where my police officers are on horseback. The girls will come back to me with an honest evaluation of the novel’s strengths and weaknesses before I submit it to my publishers for official editing. I’ve sold over 350,000 copies of my books in the last five years but still feel I need their validation. These girls are all successful Historical and Crime Fiction writers in their own right and they are my rocks. I couldn’t have done any of it without their support. And this relationship works both ways; I’m always happy to take time out from my own writing to help them.
At the moment, three of my best writing buddies are reading the manuscript of my seventh book. A fourth friend, who owns a horse, has already looked over every scene where my police officers are on horseback. The girls will come back to me with an honest evaluation of the novel’s strengths and weaknesses before I submit it to my publishers for official editing. I’ve sold over 350,000 copies of my books in the last five years but still feel I need their validation. These girls are all successful Historical and Crime Fiction writers in their own right and they are my rocks. I couldn’t have done any of it without their support. And this relationship works both ways; I’m always happy to take time out from my own writing to help them.
With two of my best writing buddies, Jane Harlond and Jean Gill at the Oxford Historical Novelists' Society conference
But how can an aspiring author build up a network of like-minded professional authors? Where do you start making writerly friends? After all, Ian Rankin, Lisa Hall and J.K. Rowling won’t become your best buddies just because you drop them an email and ask them to befriend you. That approach is more likely to get you arrested for stalking.
Most unpublished, aspiring authors start off with the local writing group for peer support. It can be a beneficial experience and many writers make life-long friends through these groups but it can also have drawbacks. It depends on the group. The other writers there might not understand or appreciate your genre – and you might not like theirs. My local group leader wrote erotica and another member wrote gruesome crime novels, full of horrific murder and graphic rape scenes. While I appreciated the constructive criticism they gave me, I squirmed with discomfort when it was time to listen to their latest chapters.
A far better approach is to join an online writing group and pick and choose what you want to do and whom you want to know. I met three of my best writing friends through the now-defunct online writers’ community, Authonomy. We exchanged many emails then arranged to meet up face-to-face and became good personal friends who holiday together. They’d just started out like me and our careers have grown together. Most online writing groups also offer a critique section, and although it’s time-consuming to read and critique other people’s work, the payback is huge if you get involved. I feel I learned more about the writers’ craft from the other members of Authonomy than I would ever have learned from a master’s degree in Creative Writing. Thanks to the advice I received, I adjusted the opening chapters of my debut novel and found my first publisher.
Most unpublished, aspiring authors start off with the local writing group for peer support. It can be a beneficial experience and many writers make life-long friends through these groups but it can also have drawbacks. It depends on the group. The other writers there might not understand or appreciate your genre – and you might not like theirs. My local group leader wrote erotica and another member wrote gruesome crime novels, full of horrific murder and graphic rape scenes. While I appreciated the constructive criticism they gave me, I squirmed with discomfort when it was time to listen to their latest chapters.
A far better approach is to join an online writing group and pick and choose what you want to do and whom you want to know. I met three of my best writing friends through the now-defunct online writers’ community, Authonomy. We exchanged many emails then arranged to meet up face-to-face and became good personal friends who holiday together. They’d just started out like me and our careers have grown together. Most online writing groups also offer a critique section, and although it’s time-consuming to read and critique other people’s work, the payback is huge if you get involved. I feel I learned more about the writers’ craft from the other members of Authonomy than I would ever have learned from a master’s degree in Creative Writing. Thanks to the advice I received, I adjusted the opening chapters of my debut novel and found my first publisher.
With friend and fellow author, Kristin Gleeson, on a 'working holiday' in Gran Canaria.
Most new authors join some of the associations set up to promote their genre. I’m a member of both the Historical Novel Society and the Crime Writers’ Association. There are also more generic societies out there who provide legal and business advice like The Society of Authors. Most of these organisations have a members’ area on their websites and related Facebook pages where you can chat about your work with like-minded souls.
The fellow authors in your first publishing house are another great source of writerly friends. Some publishers actively encourage their authors to get to know each other and set up a community forum where they can share news of promotions and ask each other for help. Unfortunately, my own first publisher was a paranoid crook who discouraged any form of communication between her authors in case we found out the truth about her operation. Desperately worried that I’d made a huge mistake, I contacted several of them anyway. They felt exactly the same as me and we formed a tight-knit group which helped us to deal with her and our disappointment. Eventually, we worked together to get her to release us from our contracts and return the publishing rights of our novels. We’ve remained good friends ever since – and she’s gone out of business.
My miserable first experience of the publishing world highlights another reason why writers can’t survive in isolation. Publishing is one of the most corrupt businesses on the planet. There’s plenty of sharks out there who prey on the naïvety and desperation of aspiring authors. There’s safety in numbers and genuine consolation available if your publisher folds and disappears into the ether with your royalties. Most authors have had at least one bad experience like this.
But, on a more positive note, when all your scribbling works out and your precious stories start to sell, writing for a living is still the best, most rewarding job in the world. Writers really do live the dream.
Provided, that is, you’ve got some mates by your side.
The fellow authors in your first publishing house are another great source of writerly friends. Some publishers actively encourage their authors to get to know each other and set up a community forum where they can share news of promotions and ask each other for help. Unfortunately, my own first publisher was a paranoid crook who discouraged any form of communication between her authors in case we found out the truth about her operation. Desperately worried that I’d made a huge mistake, I contacted several of them anyway. They felt exactly the same as me and we formed a tight-knit group which helped us to deal with her and our disappointment. Eventually, we worked together to get her to release us from our contracts and return the publishing rights of our novels. We’ve remained good friends ever since – and she’s gone out of business.
My miserable first experience of the publishing world highlights another reason why writers can’t survive in isolation. Publishing is one of the most corrupt businesses on the planet. There’s plenty of sharks out there who prey on the naïvety and desperation of aspiring authors. There’s safety in numbers and genuine consolation available if your publisher folds and disappears into the ether with your royalties. Most authors have had at least one bad experience like this.
But, on a more positive note, when all your scribbling works out and your precious stories start to sell, writing for a living is still the best, most rewarding job in the world. Writers really do live the dream.
Provided, that is, you’ve got some mates by your side.
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