Blog Posts

News: 'The Sans Pareil Mystery' reaches 100,000 sales

30/6/2018

Sales Milestone for The Second Book In The Lavender Series

I received a lovely surprise in the post today from my publishers - a plaque marking 100,000 sales of my second book in the Detective Lavender Series, The Sans Pareil Mystery.
I've now got a matching pair on the wall in the study.
The same plaque for The Heiress of Linn Hagh arrived two years ago.
I'm a very happy little author today.

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ARTICLE: WRITERLY FRIENDS

29/4/2018

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"Birds of a feather Flock together"

We’re all familiar with the stereotypical image of the lonely and isolated author scribbling away in a cold garret – but after five years as a full-time author, I know that nothing is further from the truth. Writers rarely work successfully in a vacuum. They need other writers – and actively seek them out.

The scaffolding behind a literary work can appear baffling to the non-writer. Authors need each other for support, inspiration and sometimes for collaboration. Only our fellow scribblers truly understand our obsession with plot holes, narrative structure and character development. Writers need to be able to put aside their fear of competition and intellectual theft and reach out to their peers. They need to find the confidence to ask each other for help and find the time and energy to offer mutual support. It’s a foolhardy and ego-centric writer who believes they can create a masterpiece in complete isolation, negotiate the complex world of publishing alone – and retain their sanity.

Oliver Goldsmith with James Boswell and Samuel Johnson

From Shakespeare to the Bloomsbury group, the history of literature is full of strong and supportive friendships between writers. When Shakespeare's first folio was published, his friend and fellow playwright, Ben Jonson , wrote a glowing introduction to the manuscript. In the eighteenth century, James Boswell, Samuel Johnson and Oliver Goldsmith were great friends and the first two toured Scotland together. A few years later, Lord Byron and the Shelleys were travelling through Europe together when Mary Shelley wrote Frankenstein. Meanwhile, Wordsworth and Coleridge were inspiring each other’s poetry and co-wrote The Lyrical Ballads.

In the mid 19th century, Charlotte Brontë and Elizabeth Gaskell exchanged candid views on literature and publishing and shared artistic and professional concerns. Charlotte also acted as a sounding board for her friend’s literary ideas. Wilkie Collins and Charles Dickens were friends for over twenty years and collaborated on short stories.

With friends and fellow- authors at The Theakstones' Crime Festival, Harrogate.

Modern writers flock to literary festivals and conferences like migrating birds. Happy to be released from the solitary confinement of their gilded writing cages, they chatter like starlings while they gather information about rogue publishers; audio-book narrators and the latest developments in successful self-publishing. They share their marketing concerns and their fears about the dreaded mid-list. Virtual friendships are consolidated and promises of future collaboration are made. It’s impossible to shut up an excited group of authors who’ve escaped from the office for a day or two. My jaw often aches when I return from the Harrogate Crime Festival.

At the moment, three of my best writing buddies are reading the manuscript of my seventh book. A fourth friend, who owns a horse, has already looked over every scene where my police officers are on horseback. The girls will come back to me with an honest evaluation of the novel’s strengths and weaknesses before I submit it to my publishers for official editing. I’ve sold over 350,000 copies of my books in the last five years but still feel I need their validation. These girls are all successful Historical and Crime Fiction writers in their own right and they are my rocks. I couldn’t have done any of it without their support. And this relationship works both ways; I’m always happy to take time out from my own writing to help them.

With two of my best writing buddies, Jane Harlond and Jean Gill at the Oxford Historical Novelists' Society conference

But how can an aspiring author build up a network of like-minded professional authors? Where do you start making writerly friends? After all, Ian Rankin, Lisa Hall and J.K. Rowling won’t become your best buddies just because you drop them an email and ask them to befriend you. That approach is more likely to get you arrested for stalking.

Most unpublished, aspiring authors start off with the local writing group for peer support. It can be a beneficial experience and many writers make life-long friends through these groups but it can also have drawbacks. It depends on the group. The other writers there might not understand or appreciate your genre – and you might not like theirs. My local group leader wrote erotica and another member wrote gruesome crime novels, full of horrific murder and graphic rape scenes. While I appreciated the constructive criticism they gave me, I squirmed with discomfort when it was time to listen to their latest chapters.

A far better approach is to join an online writing group and pick and choose what you want to do and whom you want to know. I met three of my best writing friends through the now-defunct online writers’ community, Authonomy. We exchanged many emails then arranged to meet up face-to-face and became good personal friends who holiday together. They’d just started out like me and our careers have grown together. Most online writing groups also offer a critique section, and although it’s time-consuming to read and critique other people’s work, the payback is huge if you get involved. I feel I learned more about the writers’ craft from the other members of Authonomy than I would ever have learned from a master’s degree in Creative Writing. Thanks to the advice I received, I adjusted the opening chapters of my debut novel and found my first publisher.

With friend and fellow author, Kristin Gleeson, on a 'working holiday' in Gran Canaria.

Most new authors join some of the associations set up to promote their genre. I’m a member of both the Historical Novel Society and the Crime Writers’ Association. There are also more generic societies out there who provide legal and business advice like The Society of Authors. Most of these organisations have a members’ area on their websites and related Facebook pages where you can chat about your work with like-minded souls.

The fellow authors in your first publishing house are another great source of writerly friends. Some publishers actively encourage their authors to get to know each other and set up a community forum where they can share news of promotions and ask each other for help. Unfortunately, my own first publisher was a paranoid crook who discouraged any form of communication between her authors in case we found out the truth about her operation. Desperately worried that I’d made a huge mistake, I contacted several of them anyway. They felt exactly the same as me and we formed a tight-knit group which helped us to deal with her and our disappointment. Eventually, we worked together to get her to release us from our contracts and return the publishing rights of our novels. We’ve remained good friends ever since – and she’s gone out of business.

My miserable first experience of the publishing world highlights another reason why writers can’t survive in isolation. Publishing is one of the most corrupt businesses on the planet. There’s plenty of sharks out there who prey on the naïvety and desperation of aspiring authors. There’s safety in numbers and genuine consolation available if your publisher folds and disappears into the ether with your royalties. Most authors have had at least one bad experience like this.

But, on a more positive note, when all your scribbling works out and your precious stories start to sell, writing for a living is still the best, most rewarding job in the world. Writers really do live the dream.

Provided, that is, you’ve got some mates by your side.

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News: New Book Covers

1/4/2018

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New Book Covers

My debut novel Catching the Eagle and it's prequel, February 1809, have both had a makeover.
Two hundred years after his death, our family rogue, Jamie Charlton, has never looked so good.
Many thanks to my talented cover designer, Lisa Horton for these brilliant image. Lisa designs the book covers for the Detective Lavender Mystery Series (published by Thomas & Mercer) and I have asked her to upgrade the covers of all my self-published novels.

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Review: Excellent Historical Fiction

11/11/2017

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'Song Hereafter'

by
Jean Gill

This is the concluding novel in Jean Gill’s fascinating series about the glittering and scheming world of French court life in the twelfth century but there’s an added bonus in this book when Dragonetz and Estela travel to mysterious Wales in the Isles of Albion. They soon find themselves caught up in the political intrigue of the Welsh Principality.
Gill is a excellent writer who sweeps you along into her world, and Wales is her world. Her descriptive prose of the misty valleys of her homeland is amazing and has poetry in its imagery; she describes it like a spell-bound lover.
As usual, it’s the strong characters of Dragonetz and Estela who shine in the novel but even the personalities of the minor characters leap off the page with wiliness and humour.
I'm sad to say 'goodbye', but ‘Song Hereafter’ is an excellent conclusion to a great series. It can easily stand-alone for new readers.
Thoroughly recommended.

Buy on Amazon

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News: Researching in Ely

16/10/2017

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Researching Lavender Book #5

The summer is over, the academic year has started again and I've gone back to work.
I've recently spent four days researching for the fifth Detective Lavender Mystery in the tiny cathedral town of Ely in the watery fenland of Cambridgeshire.
Armed with a notebook and my phone camera, I've pounded the city streets; visited three museums and a nature reserve and taken two boat trips through the rural countryside.
I take photos of anything and everything which I think may come in useful from rush matting on the floor of ancient cottages to information plaques about the flora and fauna. My quest was to get 'a feel' for life in this remote and harsh area in the early part of the nineteenth century. I wanted to know about the social history of the people and their lifestyle. No detail was too small to note, whether it was the diseases that plagued them, how they survived the winter or how their gaols/jails were run.
Anyway, here are a few of the photos that will inspire my writing over the next few months. Enjoy.

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News: Publication date for 'Plague Pits & River Bones'

27/8/2017

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D-Day: 11th January 2018

That's the date,folks.
On the 11th January 2018, Thomas & Mercer will publish the fourth novel in The Detective Lavender Mystery Series:
Plague Pits & RIver Bones.
It's already up for pre-order on Amazon with its lovely new book cover and racy blurb and this happy, little author is doing an excited dance around the kitchen.

Pre-order on Amazon

London 1812: Savage gangs intent on treachery and revolt besiege the capital, while a brooding menace stalks the corridors of the Palace of Westminster. When Detective Stephen Lavender is called in to investigate a highway robbery and a cold-blooded murder, both the cases take a dangerous and disturbing personal twist.
Meanwhile, Lavender’s trusted deputy, Constable Ned Woods, finds a mysterious, severed foot washed up on Greenwich Beach. They soon realise that these ancient bones are more sinister than they first appeared.
With Bow Street Police Office undermanned and in disarray, it will take all of Lavender and Woods’ wit and skill, with help from Lavender’s spirited wife, Magdalena, to unmask the fiend behind the mayhem; restore peace and justice to the beleaguered city and solve the tragic mystery of the severed foot.
But will they do so in time to foil a plot that threatens to plunge the country into chaos?

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News: Wonderful sales for 'The Sculthorpe Murder'

21/6/2017

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'THE SCULTHORPE MURDER' REACHES 50,000 SALES

I am absolutely delighted. My publishers have just informed me that 'The Sculthorpe Murder' has already made 50,000 sales worldwide in the 9 months since its publication. It seems unbelievable that this many readers have followed Detective Lavender and Constable Woods to the third book in the series. In addition to this, the reviews on both sides of the Atlantic have been fantastic! It has an average of 4.8 out of 5 stars in the UK.
My happy but crazy imagination is now trying to work out what 50,000 readers look like...it's a football stadium full, isn't it?
Cue happy author dance around the kitchen....

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News: New novel to be published in December

18/4/2017

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PUBLISHING DEAL FOR
PLAGUE PITS & RIVER BONES

I'm delighted to announce that Thomas & Mercer have agreed to publish the fourth Detective Lavender Mystery: Plague Pits & River Bones.
I don't have a firm date for publication yet, but it MAY be as early as December 2017.
In the meantime, I have a few more days left to tweak the manuscript before I submit it to my editors.
Over the last six weeks, I have pain-stakingly removed 6,500 surplus words and phrases. Then with the help of my friendly Alpha-readers I've restructured it and tightened it some more. The novel, my most complicated plot to date, has now gone down from 110,000 words to 100,000 and is a lot better for this revision.
It'll go thorugh three more rounds of edits with Thomas & Mercer and, hopefully, by December it will be a smooth, thrilling and enjoyable read.

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BBC RADIO INTERVIEW

14/1/2017

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The Real Stephen Lavender

Today I was interviewed about my recent contact with the living descendants of Stephen Lavender and what I've learned about the real Bow Street officer.

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Article: The Real Stephen Lavender

13/1/2017

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THE REAL STEPHEN LAVENDER

(TRUTH IS STRANGER THAN FICTION)

Thanks to the wonders of the World Wide Web, there is always a risk when you use real-life characters from history in your fiction that someone, or something, will pop up out of the ether and surprise you.
Real-life people, like my Detective Stephen Lavender, have children, grandchildren and great-grandchildren. And I knew that if Lavender's descendants ever decided to research their ancestor on the Internet, the chances of them stumbling across my novels was high. This thought actually made me a little nervous because although I’ve used Lavender’s name and two of his real cases in my novels, I knew hardly anything at all about the man himself. I used a lot of artistic license and imagination to flesh out the details of his personality and family life.
I focused on information I gleaned from reference books and contemporary newspaper articles about his work as a Principal Officer with Bow Street Police Office and just made up the rest. I didn’t even know how old the real Stephen Lavender was when he went up to Northumberland to solve the mystery of the stolen rent money from Kirkley Hall in Ponteland. And when I introduced this hired private detective to my readers in Catching the Eagle I made him a mature thirty-year-old man.

Kirkley Hall, Ponteland, Northumberland

I’d often wondered if any of Lavender’s descendants were still living and if so, what they would make of my fictional representation of their ancestor? Would they like him and approve of the bookish, educated and slightly-introverted character I’d created? Or would I be facing a court case for defamation of character? As a cheeky, writer friend once pointed out, “the phrase ‘loosely based-upon’ can be very useful in times like these, Karen.”
I finally got my answer in December 2016 when I was contacted by several of Stephen Lavender’s descendants. Thankfully, the first message that landed in my inbox from Australian, Richard Kinch, began with the words:
'Thank you for making my ancestor famous!’
Richard’s delight with novels about his ancestor clearly out-weighed any concerns he had about historical inaccuracies.
The contact from Richard was quickly followed by more messages from other Lavender relatives including Lesley Morgan, another Aussie descendant. In fact, it turns out that Australia is teeming with Stephen Lavender’s relatives. He had nine children. Two of his sons, and one daughter, emigrated to Australia in the 1850s. There are Facebook pages and online groups all over the southern hemisphere dedicated to connecting the Lavender relatives and exploring their genealogy.
Lesley, in particular, was incredibly helpful and informative. She told me about the real-life background to my character and explained the family history to me. She also put me in touch with a British relative, Alister Palmer, who lives in Bristol. We exchanged many emails and a fascinating picture of the real man began to emerge.
I already knew from my research, that several other members of Stephen Lavender’s family worked for Bow Street Police Office in the early nineteenth century but I didn't know that his father, Edward, was a clerk there. In my novels I've given him a father called John and a Church of England vicar for a maternal grandfather. Also in my fictional character's background is a Grammar School education and an unhappy year spent at Cambridge University studying law. From Lesley I learnt that after starting an apprenticeship in 1803 with the horse patrol, Stephen was created a Principal Officer in 1807.

Bow Street Magisgrates' Court & Police Office

But the biggest surprise was that the real Lavender wasn’t born until 1789. This means that he became a Principal Officer at the tender age of eighteen and was barely twenty when he was sent up to Northumberland to solve the mystery of the Kirkley Hall robbery. I know his investigation in this instance was meticulous and thorough – I’ve seen the court case documents at The National Archives in London – so he must have been a real child prodigy in the Regency world of policing. I wonder what thirty-seven-year-old Jamie Charlton, whom Lavender accused of the Kirkley Hall robbery, made of the situation when he was arrested and charged by a young man who was barely shaving?
I’ve always known that the London newspapers adored Stephen Lavender and zealously – and sometimes inaccurately – reported his cases and forays into the seedy underbelly of the crime-ridden capital. In 1818, Lavender solved the mystery of the vicious attack on an elderly man, William Sculthorpe in Northamptonshire (the basis for my novel, ‘The Sculthorpe Murder’) and this case was extensive reported by the London press. I wonder if his fresh-faced youth helped to make him so popular with the newspapers of the time?
Lavender, and his young family, left Bow Street in 1821 when he took up the position of Deputy Chief Constable in the industrial northern city of Manchester. Sadly, he died there in June 1833 at the relatively young age of forty-four. I’ve found his obituary written in over thirty British newspapers. He really was a celebrity in nineteenth century England.
So, what happens now? I hear my readers ask. Will you chop a decade off Lavender’s age, remove his fictional education and his gorgeous and exotic Spanish wife in order to bring the fictional character back into line with the real man?
No. I intend to carry on as before, ‘loosely basing’ my detective on the life of the real man and occasionally dipping into the archives to find more of Stephen Lavender’s cases to flesh out into an intricate plot. I hope to continue to share information with Lesley Morgan and Alister Palmer for the benefit of all of us who are interested in this fascinating man.
And anyway, I’m not sure that my mystery-reading public is ready for a detective barely out of his teens.

In this instance alone, the truth is definitely stranger than fiction.

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